introduction

Moving pictures-Rachel

1) Describe how and why video, television and film are different.

-It directly translates audio-visual material into analogue or digital code. Thereby, recording and storage take place synchronously. Video is a means of preservation that retains the recorded material in a state of permanent availability and manipulability.

2) What did Filippo Tommaso Marinetti contribute to the growth of video and film?
-He saw the combination between theater and television screens as a practical model for the future.

3) What are three important names that are recognized for the emergence of video art and how it is made?
-Jacques Derrida 
-Vilem Flusser
4)Define 'Video'
-a phenomenon well-known to everyone, including comfortable hand-held camera and video cassette recorder in one's own household, surveillance systems in buildings, and public areas commercially available videotape, and animated images projected in museums.

The '60s Louis

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Technology and image -Kiel

1: What was the greatest change since the emergence of Video Art?
2: Who were three artist who worked with the portable video equipment?
3: Who produced the work of art called 'Outer and Inner Space' ?
4: What does the 'Copy and Paste' function allow individual segments to do?

The 70s Michelangelo

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Body and Performance -Abdallah

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Times codes and Movie video -ANGELO
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The 90's Abeer-fnan

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documentary format and form views - Kate

1.What is the difference between video and film?
-Video is recording material for "availability and manipulability" that directly illuminates reality, while film is a series of images when projected produces movement.
2.What is the documentary format?
-Documentary format is a traditional format that documentaries follow in film studies.
3.What is the documentary style?
-Documentary style is the style that artists use within a documentary which tends to relay real-time events. "It focuses and isolates a piece of reality."
4.How can a documentary be considered video art?
-The artist chooses to manipulate the video with sound, splicing, and text but must keep to the authenticity of the overall video. "The artist must use pre-existing audiovisual material or they must be directly involved in the situation."